As you know I love Laurel's books, so when I had the opportunity to ask her an interview question, I wanted to know more about her inspiration for her new book, Knowing, which I reviewed earlier today- reading on for some interesting views into an author's inspiration and writing process!
Response: A college professor I had once explained the weird pre-deja vu concept Laurel mentions, as perfectly normal and rational. Yes I know, bear with me. Basically he said we all share a cultural collective consciousness, a memory of things we have read and seen, so in theory we could all pen a song, write a novel, or paint a picture, that is eerily similar to one that someone across the country is doing at the same time. He explained it as a 'stream of cultural consciousness'. That out experiences could be so similar to someone else's, that with the same cultural reference, it's easy for us to make the same song or concept of a novel. WHICH when you think about it, goes a long way to explaining how there is a flood of books about the same topic, all written around the same period, and why the publishes all think they're great and publish at the same time.....just a thought to ponder!
About the Authoi: Laurel Dewey was born and raised in Los Angeles. She is the author of two nonfiction books on plant medicine, a Silver Spur nominated Western novella, hundreds of articles, and three other novels in her Jane Perry suspense series, Protector, Redemption, and Revelations along with the Jane Perry novelettes An Unfinished Death and Promissory Payback and the story collection Unrevealed. She is also the author of the novel Betty’s Little Basement Garden. Visit Laurel Dewey at
laureldewey.com, Facebook and on Twitter
Disclosure / Disclaimer: I received this book, free of charge, from Bostick Communications, for review purposes on this blog. No other compensation, monetary or in kind, has been received or implied for this post. Nor was I told how to post about it
Question: Did today’s news events influence your plotline for Knowing or was it one you’ve toyed with for a while and decided to use?
When I first starting formulating the theme and storyline for the fourth Jane Perry thriller, Knowing,
all I had was the germ of an idea. That idea sprung from a book I’d
read about twelve years ago called “A Change of Heart” by Claire Sylvia.
Sylvia received a heart transplant and began feeling her donor’s
thoughts and desires. The whole thing felt “otherworldly” to her and it
was obviously something she had a hard time rectifying with others who
she told her story to. For whatever reason, Claire Sylvia’s true story
never left me and I thought it was such an intriguing idea to have a
“guest character” in the next Jane Perry novel who had a heart
transplant that turned his life upside down. That character became
Harlan Kipple.
I gave the book a “working title”: Unbroken. I
figured it was perfect because the story followed the unbroken bond
between Harlan Kipple and his deceased donor. But I needed more than
just that intriguing “transplant” gimmick. And that’s what led me to the
question of “WHO is the donor?” I think that is when I started to contemplate a story angle that was far more sinister than anything I’ve ever written before.
Sure,
the Jane Perry series is gritty and sometimes gruesome but I’d never
gotten Jane involved in anything that had a “conspiracy” bent to it.
That led me to spend almost one year delving into some very intense and
disturbing subjects. I read about everything in that genre from “shadow
military groups” and “trauma-based mind control” to bizarre human
experiments that left me feeling pretty queasy. I knew that if I was
going to continue with this story angle, I couldn’t make it so sickening
that it would turn off even the toughest reader. So, I set the book
aside for another year and when I came back to it, a few things had
changed.
For one thing, the title changed. By that time, another popular book named Unbroken
had hit the NYT Bestseller list, and while I felt it was the perfect
title, I had to come up with another single word that summed it all up.
Taking that year off from the story helped in many ways because during
that time, I was able to create a much deeper back story that involved
Harlan’s donor. Suddenly, we had Jane Perry, Harlan Kipple and a third
character (his donor) who we never see (well….we see him in flashbacks)
but who is as real and alive as the others in the story. My time away
from the story also allowed me to soften some of the harsher elements,
while still retaining the gritty themes that my readers expect from a
Jane Perry novel. Gradually, a more spiritual element infused the
storyline that I hadn’t considered before. And that is when the title, Knowing, popped into my head. Everyone in this book is after that elusive ability to get into another person’s head and know what they are thinking. But it goes much deeper than that. Much deeper.
I
will admit that I had to change three scenes in the book because there
was too much of an eerie similarity to certain events that were
happening in the U.S. at that time. Every bit of the story is fictional
but when life events started to mesh with the storyline, I became just a
bit concerned that the story was getting “too real.” I guess after
spending one year reading about all those “shadows” that lurk around all
of us, I picked up on a meme that just happened to become pretty
believable. Since the book has been released, I’ve had numerous emails
from readers commenting on this and asking me if I had an “inside edge”
of information. I tell them I do not and to chalk it up to my
imagination that often works overtime…..especially when it’s concocting
the next adventure for Jane Perry.
Thanks Laurel for a super response!
Response: A college professor I had once explained the weird pre-deja vu concept Laurel mentions, as perfectly normal and rational. Yes I know, bear with me. Basically he said we all share a cultural collective consciousness, a memory of things we have read and seen, so in theory we could all pen a song, write a novel, or paint a picture, that is eerily similar to one that someone across the country is doing at the same time. He explained it as a 'stream of cultural consciousness'. That out experiences could be so similar to someone else's, that with the same cultural reference, it's easy for us to make the same song or concept of a novel. WHICH when you think about it, goes a long way to explaining how there is a flood of books about the same topic, all written around the same period, and why the publishes all think they're great and publish at the same time.....just a thought to ponder!
About the Authoi: Laurel Dewey was born and raised in Los Angeles. She is the author of two nonfiction books on plant medicine, a Silver Spur nominated Western novella, hundreds of articles, and three other novels in her Jane Perry suspense series, Protector, Redemption, and Revelations along with the Jane Perry novelettes An Unfinished Death and Promissory Payback and the story collection Unrevealed. She is also the author of the novel Betty’s Little Basement Garden. Visit Laurel Dewey at
laureldewey.com, Facebook and on Twitter
Disclosure / Disclaimer: I received this book, free of charge, from Bostick Communications, for review purposes on this blog. No other compensation, monetary or in kind, has been received or implied for this post. Nor was I told how to post about it
Loved "PROTECTOR", I read it on my NOOK reader, but would love to have the hard copy mainly to pass along to my friends to read.
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